Gender Roles

Coming off of a few months of summer fun, it’s time for a new year of Reading Writing and Listening (RWL) on topics that intrigue me at the given moment.

Last week, my graduate work at NAU led me back into a live classroom to explore Anthropology of Gender (ANT 556) with Dr. Lisa Hardy and my cohort of diverse and curious classmates.

The first readings were rich with topics for exploration. The one that stands out most for me was The Egg and the Sperm: How Science Has Constructed a Romance Based on Stereo-Typical Male-Female Roles. In this 1991 article, anthropologist Emily Martin looks at the ways writing scientifically about human reproduction assigns gender stereotypes. She argues that Western science portrays male reproduction as “remarkable feats” while the role of the female biology is “passive and decay”. The academic reports write a scientific fairy tale with the metaphor of a damsel in distress (the egg) being saved by the white knight (sperm). Other text presents the egg with spidery imagery and cast the egg as the femme fatale who victimizes the male another wide spread Western theme.

Fast forward thirty years, and our society still struggles with gender stereo-types.

I just finished listening to episode 20 of the podcast We Can Do The Hard Things:

PLAYING OUR ROLES: How does culture’s invention of gender typecast every last one of us? On the podcast, Glennon Doyle, Amanda Doyle, and Abby Wambach discuss:

  1. Women in the business world, like Amanda, are labeled dominant and aggressive and why that is a gender trap.
  2. Abby’s experiences of being misgendered in public and how that makes her feel.
  3. Why do we tell people who they are before they are born and so many days after?
  4. Why Glennon says two women in a marriage, taking care of their business, so rocks the patriarchal boat.

TRANSCRIPT

More to come on this topic.

A Story of Liberation

I am a story enthusiast. It does not matter the form: fiction, history, memoir, or fable.  I like to listen to stories and I like to read them to others.  Poetry and music lyrics have a story too. I write stories.  I am a storyteller. 

Clarissa Pinkola Estes is a cantadora, a keeper of old stories. She uses her research on myths and tales to share the narratives that lead to healing and deeper insights.  “Stories are medicine.  Stories are embedded with instructions which guide us about the complexities of life”.   I was, and still am, a bookworm.  Before I could read, I pretended to read.  I was given a History Book of the Month membership and a library card.  I learned to make friends with the librarians so that I could check out more than the weekly limit. 

SNIP

Self-reflection brings awareness and that recognition is the foundation for learning and growth. I hear a call to action. It is time to dive down and reveal my own history with feminism:  My story.  Brene Brown proclaims, “Owning our story and loving ourselves through that process is the bravest thing we’ll ever do.” To put our life experiences on paper, for the world to see, takes vulnerability. Sara Ahmed notes that the personal is theoretical and to become a feminist is to stay a student.   This paper is presented in personal theory, backed by the teachings of recognized feminist scholars.  I gather my courage to explore my journey into the history, the economic models, and the political influence of my personal feminist story. 

SNIP

Stories can unite. Stories will connect. Perhaps some of us don’t have the words to understand the forces that come at us and make us feel lesser or even invisible, but we all can put words together, and take them apart, and make new sentences as we learn and unlearn.  If we record our stories, and share them with each other, we can collaborate and build intersectionality. The power brokers fear that history may be reclaimed or rewritten from the textbooks they wrote and marketed. “Thus it depends on us…to choose what history we might write for ourselves, and the legacy we might want to leave behind.” I write my personal HERstory.

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